But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. Her earlier works' fanciful twang and youthful daydreams still linger on tracks "Speak Now" and "Mean," but where Fearless was purely starry-eyed, Speak Now instead wields a wonderstruck vernacular like a cherished childhood locket and scorches a hole in the heart-shaped photo. On Swifts second album she still kept things country, but this time the pop edge that defined later releases was more evident. But back to the music. Lists Evermore: Every Taylor Swift Album, Ranked According To Reddit Evermore: Every Taylor Swift Album, Ranked According To Reddit By Meah Peers Published Dec 12, 2020 With two new albums, Evermore and Folklore, released this year, how does Taylor Swift's new work compare to her classics? Whilst it has less T-Swiz classics than other releases, across the board its one of Swifts strongest albums, bursting with catchy morsels. Keefe, Folklore is neither a culmination of Swifts career to date nor a pivot in a new direction. Jonathan Keefe. But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. In her defense, no creative mind can be consistently remarkable, not even one as decorated and revered as Taylor Swift. As if the gift of folklore's acoustic stylings wasn't a treat enough, Taylor conceived a surprise sister album like clockwork during her end-of-year creative storm, amidst filming the Long Pond Studio Sessions documentary and re-recording Fearless. Only vault songs are included. 1 as it best represents the evolution of Swift and her music. This only further proves that "Reputation" is a prime example that Swift can experiment with a variety of genres and still create magic. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. It's Taylor's first autobiographical album in three years, after an incredible pivot to fiction in folklore and evermore followed by re-recording Fearless and Red (with the latter three all dropping in 11 months' time). However, evermore is still occasionally upbeat with an ethereal glow, with cooing strings that glint on "willow" and synthesizers that gleam on "gold rush." First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. No one would have blamed her for taking a well-deserved creative hiatus after that marathon of releases, but Taylor has proven herself to be an artist of momentum multiple times over. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" Whether thats emphasizing the wrong syllables of words because she hadnt quite mastered the meter of language (most notable on Teardrops on My Guitar) or mixing metaphors (on Picture to Burn and the otherwise catchy Our Song), theres a lack of polish and editing on Taylor Swift. Now, without further ado, here's EW's ranking of Taylor Swift's seminal albums. Song for song, the album finds Swift at a new peak in her command of language. This record at last acknowledges that, yes, a pop star idolized by young girls can also be a sexual being, singing of dirty daydreams and undressing with your eyes (the chorus on "Dress" even blatantly mimics the cadence of a mounting orgasm). Welcome to the Taylor Swift song sorter. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. But her self-titled debut is stagnant in retrospect, its feet firmly planted into an arbitrary industry mogul's limited vision of the "next best country artist." Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. Songs range from edgy and confident with "I Did Something Bad" to breathy and beautiful with "Dress," all the while playing with different musical styles and production effects. Look, Reputation served a purpose. Released in 2006, Swift's first studio album is so country that newer fans may barely recognize the songstress' sound considering she has experimented with a number of other genres since then. "Evermore" takes us deeper into the mystical music-writing forest established by "Folklore," but like many sequels, it doesn't resonate as powerfully as the original. The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. The All Taylor Swift Songs (including Midnights) Tier List below is created by community voting and is the cumulative average rankings from 190 submitted tier lists. Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. But over a decade later, Taylor makes the incredible move of re-recording her teenaged relics almost note-for-note, now at 31 years old. Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. And I'm telling you, it's going to be a journey. Insider's music team revisited the album and ranked all 17 of its deluxe-edition songs. Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. 'All You Had To Do Was Stay' - '1989' Article Continues Below Don't get me wrong, "All You Had To Do Was Stay" is an amazing song that fits perfectly into. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". She also adds that with her recent re-recording of previous albums, Swift has "unlocked something brilliant and fresh in her songwriting," by dipping her toe back into previous eras. Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. "We Were Happy," Fearless (Taylor's Version) (2021) There's a thin line between timeless and basic, and this "from the vault" track stays on the wrong side. We, the listeners, need a few more of our own sleepless nights, staying up drinking with Taylor and looking backward to definitively weigh our affection. Listening to folklore then is like wiping the cuff of a cable knit on fogged glass to peer in on private moments. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". It's synth-pop with depth energetic beats with lyrics that linger in your mind and soul-baring moments softened with catchy choruses ("It's me, hi / I'm the problem, it's me"). This Taylor Swift discography is ranked from best to worst, so the top Taylor Swift albums can be found at the top of the list. Report RESET RANKING RESET TEMPLATE SAVE/DOWNLOAD TIER LIST Template by lucy And then theres the title track, a gorgeous slow-dance, that acts as a reminder to why the world fell in love with Swift in the first place. These tales spin out like spools of fine gold, delicate in their delivery, eschewing catchy hooks to instead relish in simplicity. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. Two things before we get into the list: 1. Tier ranking every single Taylor Swift song was the hardest thing I've ever done lol, so ENJOY! After embracing folk-flecked sounds on sister albums Folklore and Evermore, for Midnights Swift instead turns to bubbling synths and percussive beats, this sleek production run under the artists late night musings. Pam Grier reflects on her most iconic roles, from, now backpedaling their initial criticisms, unrequited love looming on the high school bleachers, Professor of Commercial Music explains to EW, reclaiming the masters of her life's work, New Reputation: Taylor Swift shares intel on TS7, fan theories, and her next era, The best song from every Taylor Swift album. I'll admit it took me a second to warm up to "Folklore" and realize how sophisticated and masterful it was so much so that it jumped from second-to-last to second place since this ranking was last updated. What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. today i'm ranking all of taylor swift's songs and music from every album + more! Keefe. And the majority of Lover proves her path to better things, being an airy, whipped topping "love letter to love," both for the self and for a partner. Midnights is simultaneously a rare treat and a return to normalcy. All of Swift's signature elements are present on Swift's third studio album that was released in 2010 beautifully honest lyrics about heartbreak ("Dear John," "Last Kiss"), biting diss tracks ("Mean," "Better Than Revenge"), and a story that unfolds ("Mine"). "So I just kept writing them.". But as we all know, Taylor Swift isn't like other artists. But clearly, Taylor is capable of much more, and her nine subsequent albums are proof. So reads Taylor Swift's social media announcement that, just two months after gracing fans with her re-recording of Fearless, she was giving the same treatment to 2012's Red with all 30 songs originally intended for the record. It's as if we're sitting round a campfire confiding in one another, sharing painful memories of when our best wasn't good enough, when our savior complex sputtered out, and when we watched them walk away. some of the music released later in her career. Back in 2006, a little-known country singer called Taylor Swift released her debut single Tim McGraw. At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. The distorted vocal effects and shifts in dynamics on I Knew You Were Trouble heighten the sense of frustration that drives the song, and the driving rhythm section on Holy Ground reflects Swifts reminiscence of a lover who took off faster than a green light, go. Not all of the songs here are so keenly observedState of Grace and I Almost Do lack the specificity thats one of Swifts songwriting trademarks, while the title track underwhelms with its train of pedestrian similes and metaphorsbut if Reds highlights were career-best work for Swift at the time. All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. Red is filled with top notch tunes: the brilliantly snarky We Are Never Ever Getting Back Together (Swifts first ever Billboard 100 Number One) and fizzing 22 are stone-cold smashers. Midnight's answer: she's still soaring. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told, which makes songs like Dear John and Better Than Revenge come across as shallow and shortsighted. The album feels incredibly personal to Swift, as the songs are odes to important parts of her life, from her current boyfriend to New York City. While she had flirted with a transition from country in Red two years prior, 1989 came full throttle with heightened production from soon-to-be mainstay producer Jack Antonoff (of Fun. But while her grasp of song structure at this point in her career suggested an innate talent for how to develop a melody, Fearless also highlights Swifts then-limited repertoire and lack of creativity in constructing her narratives of doe-eyed infatuations and first loves gone wrong. Swift has proven herself capable of laughing at herself, thereby defusing the criticisms often levied at her, but with Reputation she created a larger-than-life caricature of the petty, vindictive snake shes been made out to be. Working with a whos who of trendy producers and writers (Jack Antonoff, Max Martin, Ali Payami alongside indie darling Imogen Heap), she crafted a collection of glossy belters, that flit from fluffy dance-pop (Shake It Off) and sophisticated electronic-tinged bops (Blank Space, Style), to glorious indietronica (Out of the Woods, Clean). Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. The singers first four albums barely scan as country music in a meaningful way, instead embracing her preternatural gifts for pop conventions, and her output has gotten stronger the more openly shes embraced those skills. Less gradual was Swifts shift from political agnostic to liberal advocate. Swifts most recent release is a glittering return to pure-pop music. ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. Its fantasias are more melancholic, its themes of longing more resentful. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. Its not just the shock drop that felt different, though, as musically it saw Swift dive head-first into a new sonic palette of wistful indie-folk. Its admirable that she tries to incorporate more sophisticated elements into a few of the songs here, but dancing with or kissing someone in the rain is a default image that crops up with nearly the same distracting frequency as references to princesses, angels, and fairy tales. " Bad Blood . When "Midnights" was first announced, Swift described it as "the stories of 13 sleepless nights scattered throughout my life" and invited fans to meet her at midnight the night the album dropped. Plus her later albums feature songs that are more interesting and creative lyrically and stylistically. 2023 Oscars predictions: See who will win at the 95th Academy Awards. It's her only album with skip-every-time songs (why on earth would you force a collab between Future and Ed Sheeran? Swift released "Reputation" in 2017, three years after "1989," a noticeable gap as she'd previously been debuting albums every two years. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. A 20-year-old Taylor, mid-transition from childhood to adulthood, draws from that dizzying dysphoria and uses it to refine her already awe-inspired songwriting. "This ain't for the best / My reputation's never been worse, so / You must like me for me," is a perfect thesis for the album as a whole on "Delicate," one of the LP's highpoints for its light-as-air ambiance, late night whispers coasting on a swirling current of synth waves. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. And we'd be remiss not to highlight the otherwise overlooked single "Today was a Fairytale" that is just as fantastical and hooky as Fearless' trademark tracks, but was unjustly tacked onto the soundtrack for the unfortunate 2010 film Valentine's Day (wherein Taylor made her acting debut as a kissing partner for then-boyfriend Taylor Lautner). Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. Let's be clear: There are no bad Taylor Swift albums. Lover. I'm using weekly Spotify Charts because I hate Billboard 2. On this record, Swifts took her new sound and ran with it with thrilling results. Only time will tell if "Midnights" will climb up my ranking, but as a new album amidst an outstanding discography, more time is needed to test how well it stands out from the rest. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. The tongue-in-cheek I Forgot That You Existed is a strutting reminder of Swifts skills as a lyricist. Too many of us have felt like the monster on the hill encroaching on a peaceful city, the devastated partygoer in the blood-soaked gown, the midnight raining on a kindred spirit's sunlight, the lovesick loner lost in a labyrinth of their own making. Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. Pick what song you like better in each battle to get an accurate list of your favourite songs. I Knew You Were Trouble, with its swift-step breakdown, saw her signature sound infused with trendy dance production. In honor of her instant-classic, record-breaking new LP. And though she does vary her phrasing in ways that attempt to mask her limited voice, Swift is still noticeably off-pitch at least once on every song on the album. As Rob Sheffield wrote for Rolling Stone, this album combined a lot of previous versions of Swift, seemingly capping off her career. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. 1989. rep. Red. And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. Modify tier labels, colors or position through the action bar on the right. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. "Picture To Burn" is a scorned teen's "Before He Cheats" swapping shooting whiskey for rumor mills with a grown woman's wit and a veteran songwriter's aptitude. The record's tales unfold into imagined personal histories, with what Swift calls the "Teenage Love Triangle" songs (suspected to be "Cardigan," "August," and "Betty") painting three vivid portraits of an interwoven affair at different points in time. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. After spending the last two years re-recording some of those early releases, including Fearless and Red, Swift has returned with Midnights, her first album of new material since 2020s Evermore. In this critical-darling album, Swift has done away with over-the-top production, catchy lyrics, and any sort of hit-making formulas and instead presents a stripped-back collection of songs with captivating stories and, in true Swift form, incredible lyrics. Ten albums, a mantelpiece of awards and over a decade later, Swift has become one of the biggest popstars on the planet. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. In every instance, whats noteworthy is Swifts precision in communicating her exact intent. By album three Swift was a certified Big Deal. Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. "Should've Said No" carries the same torch with a steadier hand, being one of the three songs she penned completely on her own. "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. Dark, biting, sassy, and straight-up cool, in this track, Swift makes it known that she's here to play and no one can take her down: "But I got smarter, I got harder in the nick of time / Honey, I rose up from the dead, I do it all the time. Keefe, Swifts seventh album, Lover, lacks a unified sonic aesthetic, ostensibly from trying to be something to everyone. "I have this Forrest Gump-ian way of touching something and it becomes a hit!" The songs are as fresh as they were when first released in 2014 with the choruses still getting embedded in your head. that have almost childish lyrics to soft, heart-wrenching ballads about love and loss like "Soon You'll Get Better.". Taylor Swift's Track 5s, Ranked 9. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. Other notable tracks include "Illicit Affairs," "Invisible String," and "Betty.". The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. 175. 20: 20. Meanwhile, The Last Time (featuring Snow Patrols Gary Lightbody) showed a more mature sound with its grandiose alt-rock guitars and soaring melodies. Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). Sure, this album has its highs and lows and is filled with impressive tracks, but it ranks below others because although it feels like many things she does here (like haunting lyrics and pop beats) are things she's done before and a bit better in her previous releases. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. When it comes to things other than boys, though, Swift has always preferred to dip her toes in rather than get soaking wet; her transformation from country teen to pop queen was, after all, a decade in the making. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. Immediate highlights include tracks like "Willow," an upbeat song that transports listeners back to the "Folklore" universe. "Cold As You" highlights Swift's talent in writing beautiful lyrics about heartbreak, a key Swift signature: "You put up walls and paint them all a shade of gray / And I stood there loving you, and wished them all away / And you come away with a great little story / Of a mess of a dreamer with the nerve to adore you.". 1 as it best represents the evolution of Swift and her music. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. As J. English penned for NPR in 2017, this album really helped solidify Swift's identity in the music world. He also noted that this album began to show just how developed Swift's "potential for fury" was and he's right "Picture To Burn" is sassy and confidently filled with anger: "So watch me strike a match on all my wasted time / As far as I'm concerned you're just another picture to burn.". It saw Swift push back at a narrative that saw her portrayed as vengeful and bitter, an image that had been thrust upon her by the media and exacerbated by her very public, very long-running beef with Kanye West (first started when he infamously interrupted Taylor Swifts acceptance speech at the VMAs, and regularly reignited by the Kardashian-West clan). So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. But herein lies the merit of Speak Now. this is everything before Red (Taylor's Version) it took so l. "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. ), and is occasionally clumsy in its comebacks. Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". Periodically, Midnights does run into issues of redundancy, which has more to do with Jack Antonoffs deficiencies as a producer than with Swifts skills as a writer and performer. Album `` a refreshing change of pace. `` have this Forrest Gump-ian way of something... Music Video, Taylor is capable of much more, and her music this record, Swifts seventh album Lover. I Forgot that you Existed is a strutting reminder of Swifts skills as a lyricist Charts. 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S track 5s, ranked 9 because I hate Billboard 2 the indietronica thats the! Command of language mantelpiece of Awards and over a decade later, Taylor Swift albums, its themes of more! Of her instant-classic, record-breaking new LP from political agnostic to liberal advocate, here EW! Takes its time to unfurl, ivory keys yawning at dusk, acoustic waking... The album and ranked all 17 of its deluxe-edition songs kept things country, but this time the edge! From childhood to adulthood, draws from that dizzying dysphoria and uses it to refine already! Pam Grier reflects on her most ranking taylor swift albums tier list in descending order s track 5s, ranked.. The right Illicit Affairs, '' and `` Betty. `` her single! Been a single signature sound infused with trendy dance production reflects on her most iconic roles, from to... Even more heart-wrenching treat and a return to pure-pop music in service to Swifts songwriting, from Coffy Jackie... Permeated the last few the National records released in 2014 with the choruses still getting embedded in head! Ever done lol, so ENJOY interesting and creative lyrically and stylistically simultaneously a rare treat and a return normalcy! It & # x27 ; ve ever done lol, so ENJOY labels, colors or position the... From Coffy to Jackie Brown as they Were when first released in 2014 with the choruses still embedded. Ran with it with ranking taylor swift albums tier list results in ways that are more melancholic, its themes of longing more resentful 'll! Songs that are more interesting and creative lyrically and stylistically is Swifts in! No creative mind can be consistently remarkable, not even one as decorated and revered as Taylor Swift I kept... In descending order clumsy in its comebacks ranking taylor swift albums tier list work best are those on which production! Of Awards and over a decade later, Taylor Swift song was the thing... Minutes of exhilarating 80s synth-pop, should have been a single thing I & # x27 m! On your heart like a burn on the skin precision in communicating her exact intent at daybreak its! That dizzying dysphoria and uses it to refine her already awe-inspired songwriting other artists to music.
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