When MGM made The Great Ziegfeld in 1936, a soft biopic of Florenz Ziegfeld that won the Academy Award for Best Picture, Myrna Loy was cast to play Ziegfeld's former wife Billie Burke. The Oscar statuette Judy Garland flings about like it weighs next-to- nothing in the "Great Lady Gives an Interview" sequence would have been a World War II version which, due to metal shortages and rationing during the war years, would have been made of plaster rather than 24 karat gold, and would thus have weighed less than the solid gold version handed out to winners during most of Academy history. The beautiful brunette appeared in the Ziegfeld Follies in 1925. ZIEGFELD GIRL was one of Lana Turner's first major roles for MGM; and she definitely has the meatiest role as Sheila. Luise Rainer had never heard of Anna Held when she got the part. But he also extensively used a Century 1114 camera and glass plates, plus eventually the 6x6cm Zeiss Ikon, and 120 roll film. - "It's Getting Hot in Tahiti" (music and lyrics by Hugh Martin and Ralph Blane) with Garland. As the lawyer incurs greater and greater sentences, his defendant keeps pleading, "Pay the two dollars!". The film, which features musical numbers by Busby Berkeley, was produced by Metro-Goldwyn-Mayer. While Judy Garland rerecorded for Decca the wistful standard, "I'm Always Chasing Rainbows" (music by Joseph McCarthy, lyrics by Harry Carroll), the star made no commercial version of the lively rumba written for her by Roger Edens, a ditty turned into a mammoth Busby Berkeley production number, "Minnie From Trinidad." Then in 1917 he met showman and producer Florenz Ziegfeld, and secured a contract to do all the images for the Ziegfeld Follies for the next fifteen years. Sandra quickly becomes a star and attracts the attentions of her singing co-star, Frank Merton. The sequence "A Pretty Girl Is Like a Melody" was filmed in two lengthy takes after several weeks of rehearsals and filming (a definite cut is made when moving to a close-up on the singer dressed as Pagliacci, presumably to effect a change of camera position, necessary to start the inexorable move up the huge staircase). Planned in 1938 to be made with Eleanor Powell, Joan Crawford, Virginia Bruce and Walter Pidgeon. But it was this affiliation that elevated him to being able to start photographing everything from aspiring actresses and society matrons to a wide range of upscale retail commercial products for magazine ads. Today Patty Ziegfeld, who lives in California with her architect husband, can tell her grandchildren about 'the little girl who spent her childhood in a fairy-tale world of baby elephants and rooms at the Rita and hothouse grapes and Rolls-Royce cars and lion cubs and governesses and ponies and playhouses' - and still managed to live happily . The exquisitely and whimsically costumed Ziegfeld girls have inspired many a fashion runway show over the years, most especially the Victoria's Secret angelsand pop singer Bjork. Excellent article that is entertaining and informative!!! Hence, although he had a bit of camera experience using a camera to record his painting subjects, he jumped into photography as his new creative medium. The All-Star Cast includes James Stewart, Lana Turner, Hedy Lamarr, Judy Garland, Eve Arden, and Jackie Cooper. Her only other movie, A Night at the Opera (1935) also features an extended sequence set at one of Verdi's operas (Il Trovatore). They were both around at the same time, and Hollywoods greatest stars of the Golden Age were taken by the most revered photographers in Hollywood, which included Ernest A. Bachrach and Alfred Cheney Johnston. The music to the film was provided by Walter Donaldson, Irving Berlin, and lyricist Harold Adamson, with choreographed scenes. Fanny Brice's material in this picture had originated on stage and radio. When the property was sold to MGM in the spring, the sisters were dropped from the project. He was married to film star Janet Gaynor for twenty years. It was replaced by a high-rise office tower; just a few years later it would probably have been protected forever by the NYC Landmark Law. On the other hand, Ive always believed that if a woman had a beautiful body, it should be shown. The stage show opened at the Winter Garden Theatre and ran from January 30 through May 9, 1936, plus a return engagement between September 14 and December 19, 1936. When Universal decided to make a faithful film version of the Jerome Kern-Oscar Hammerstein II musical "Show Boat", which Ziegfeld himself had originally produced onstage, Universal sold "The Great Ziegfeld" to MGM in March 1935 while still in pre-production. The on-air sketch, entitled "Bungling Burglars", had been broadcast on January 4, 1940 and featured Fanny as the precocious Snooks, with Hanley Stafford playing her exasperated Daddy. Astaire's two Decca sides, with an orchestra directed by Al Sack, have been brought back on a French CD box set entitled "Songs & Pictures 1928-1944," released by EPM Music. -"(We're Having a) Heat Wave" with Ethel Waters reprising the number she introduced the Broadway musical "As Thousands Cheer" - "Pass That Peace Pipe" (music and lyrics by Martin, Blane and Roger Edens) with Garland, Rooney, Ball, Walker, George Murphy, June Allyson, Gloria DeHaven, Gene Kelly, and Charles Walters (The song was later given to Joan McCracken by Walters when he directed Good News (1947).) The film was announced as a Universal production in January, 1934 with Lowell Sherman directing. At around 1:22:28 (during the "A Pretty Girl Is Like A Melody" number), you can see a stage hand with a cue card in the reflection of the second showgirl's mirror guitar. Fanny Brice was a Ziegfeld star and plays herself in the film. 41 of 41 found this interesting | Share this In the 1920s, three women become performers in the renowned Broadway show the Ziegfeld Follies, where they find fame, love, and tragedy. Hedy Lamarr doesn't really do much except perhaps play a variation of herself but she's a gorgeous presence. The MGM revue marked Brice's last film. Ziegfeld Girlswere the chorus girlsand showgirlsfrom Florenz Ziegfeld's theatrical Broadway revuespectaculars known as the Ziegfeld Follies(1907-1931), in New York City, which were based on the Folies Bergreof Paris. Myrna Darby was one of the iconic Ziegfeld Girls of the 1920s. William Powell was to play Ziegfeld, Burke was to play herself, and it would feature specialties by Fanny Brice, Judy Garland (and her sisters), Eddie Cantor, and Ray Bolger. In a commentary following the film on Turner Classic Movies in 2008, Robert Osborne said that the original script had the Lana Turner character actually die at the end. Examples of this shade would now sell for around $4000. Unlike that film and the later Ziegfeld Follies, Ziegfeld himself does not appear as a character.[2]. What is her full name? The leaded glass lamp shade that was used as set dressing for the home of Lana Turner's parents is a 15-inch "owl" shade, produced by the Duffner and Kimberly company (likely sometime between 1905-1913). As he was born into a very affluent family of bankers, his turn to photography was a bit curious to everyone. Garson's then-husband Richard Ney chimed in with "No, it's not for you, dear.". He was known for his lavish sets and elaborate costumes that "glorified the American girl." Ziegfeld is a God-like figure in this film: he is discussed but never seen.-"Ziegfeld Girl" is one of three films MGM dedicated to Florenz Ziegfeld. There is now a Ziegfeld Theater cinema right next to where it stood beside the NYC Hilton (often used for movie premieres). - A duet between Lena Horne and Herb Jeffries. In the present, there is a large, duck-shaped ferrocement structure located in Flanders, NY that houses a gift and memorabilia shop dedicated to that industry. In a Los Angeles Times interview with Hedda Hopper published in January 1956, James Stewart remembered the confusion caused by shooting this movie at the same time as Pot o' Gold (1941). Metro-Goldwyn-Mayer production number 875. But I could be wrong. The final shot of the "You Never Looked So Beautiful Before" number is recycled from "A Pretty Girl is Like a Melody" from The Great Ziegfeld (1936). Ziegfeld Girls were the chorus girls and showgirls from Florenz Ziegfeld's theatrical Broadway revue spectaculars known as the Ziegfeld Follies (19071931), in New York City, which were based on the Folies Bergre of Paris. In 1913, Held divorced Ziegfeld because of his infidelities with Lillian Lorraine, another Ziegfeld girl; soon after that, Held died and Ziegfeld went on to marry yet another Ziegfeld girl, future film star Billie Burke. It was called Enchanting Beauty, and contained 94 black-and-white photos. Show details They are: She reports that he liked her ankles. Three beautiful women soon discover this when they join the spectacle on. In the scene where Lana Turner reports to Ziegfeld's office when she enters and sees how many other girls are auditioning to her left, sitting, are two beautiful hopefuls. This film has several connections to The Wizard of Oz (1939). The film, which features musical numbers by Busby Berkeley, was produced by Metro-Goldwyn-Mayer. Ziegfeld Girl Blu-ray delivers stunning video and audio in this fan-pleasing Blu-ray release An elevator operator, a wife of a struggling concert violinist, a born-in-a-trunk vaudevillian:. Child actress Marilyn Knowlden was considered for a role in "The Great Ziegfeld" in which her piano-playing talent would be used (possibly in the role of "Mary Lou" as a child, which eventually went to Ann Gillis). Ive always loved that era of photography. Founding and history[edit] Susan worries about her father and eventually convinces the producers to give him a part in the show, where he proves to be a surprise hit. The "A Pretty Girl Is Like a Melody" set alone was reported to have cost US$220,000 (US$4,053,381 in 2019 dollars[5]),[6] featuring a towering rotating volute of 70 ft (21 m) diameter with 175 spiral steps, weighing 100 tons. This film was first telecast in Seattle Saturday 2 February 1957 on KING (Channel 5); in New York City it first aired 5 April 1957 on WCBS (Channel 2), followed by Norfolk VA 18 May 1957 on WTAR (Channel 3), by Honolulu 23 June 1957 on KHVH (Channel 13), by Minneapolis 3 July 1957 on KMGM (Channel 9), by Miami 17 August 1957 on WCKT (Channel 7), by Chicago 31 August 1957 on WBBM (Channel 2), by Philadelphia 27 December 1957 on WFIL (Channel 6), by Altoona PA 25 January 1958 on WFBG (Channel 10), and by San Francisco 13 April 1958 on KGO (Channel 7); it finally found its way to the Los Angeles airwaves Sunday 4 November 1961 on KTTV (Channel 11). Although Kathryn Grayson would replace James Melton in the closing song, Victor Records issued, in early 1945, a commercial disc of Mr. Melton singing "There's Beauty Everywhere" with Al Goodman and His Orchestra (music by Harry Warren, lyrics by Arthur Freed). Hedda Hopper and The New York Times both reported that Busby Berkeley was going to direct a new finale for the picture, but this wasn't done. There is now a Ziegfeld Theater cinema right next to where it stood beside the NYC Hilton (often used for movie premieres). The only time she actually wore such a costume was when she started filming Annie Get Your Gun (1950), from which she was dismissed and replaced by Betty Hutton. Lena Horne hated the ghetto setting for Hugh Martin and Ralph Blane's "Love" so much that she refused to make a commercial single, although she would use the song in her nightclub act several years later. 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